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Invited participant, Rotterdam poetry International 1992
First prize, judge Garett Hongo, To Elizabeth Wiley, Hubbub
Best of Agni, "Nearing Anne Frank",2002
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Poems

Poetry is the voice that comes closest to my heart. I have published poems in more than 70 journals. Once all of my submissions left by mail, in yellow envelopes bearing beautiful colored Italian stamps. Now, often the galleys, at least, return on line. Recently a book was published in California--a beautiful handmade volume of poems that I had written when I was a Yaddo as a resident. The book called > Heron Songs> can be purchased from Occasional Press. I never met the woman who chose to publish these poems. After she told me that she has published many poets including John Ashberry and Tom Gunn, she told me that she was more than ninety years old. Poetry moves people and touches them in unexpected ways. My poems have been translated in China. The Heron poems can be pulled off library shelves at Yale, Stanford, and the University of Chicago. Poems find homes and often move by accidents of discovery.





Here are two poems published in the Mississippi Review, Volume 19, Number 3, 1991.copyrights belong to
the author.

White On White


The house was still there behind the trees

but the snow
piled up great distances.
Not just between breaths

momentous,
but a deep chasm, one lumbering step to the next,
as if a lens, an enlarger,

suddenly focused things the way things are--
enormous. Even unbearable
in the effort and effortlessness--

the cold, the shining,
pitiful, pitiless, getting it straight;
reaching a life, those small footsteps,

and seeing others, as intent, setting out.


It's Now


It's night, that grainy video-tape night,
and no moon. There's a train leaving, and all
the vague uncertainty of leaving, without knowing,
and it's now, not books or stories about cattle cars
loaded with innocents. There are no real
people clustering there, entering the second carriage
on an oblique angle.

Not this time. These are shades,
maybe your own doubts, dressed in rough winter coats,
or are they neighbours, or your own brothers? How can a voice
talking to you in sleep tell you what you
know with your eyes wide open?

Did you ever dream it would be so hard? That raucous
bum trailing you. And when you face him abruptly,
he cries. Put your arm around him and he's luminous.

And the stalled train there in the yard. Shovellers
with bowed heads,
clearing the tracks, lifting in slow motion,
snow, snow. It's so quiet.

Put a foot down. And another. It feels like
digging.
Listen.

This morning, wasn't it the garden,
geraniums, silly tasselled clowns, and the windows,
wide-open, and the house frescoed with bright laughter?

Or was it there, this inwardness,
this unforgiving story of little crimes,
against what----the present opening----
call it ocean, this beautiful moment, this minute.



Here is a poem published in the Malahat Review in Canada,vol.109, copyright by the author, which I will leave you with. Visit again, and find new work, and plant your own seeds too by working at your craft.

Bees


Inside the bottom drawer
white dirty wool, curled like cult secrets,
or the intensity of a nest, its sure sense
of purpose. In the drawer above, two more Baroque,
grey woolen clouds
and the pods are there, golden brown cuplets,
once touched with honey. An ash-walled city has spread
within the limits of the five drawers. Over the years
the ripped mattress in the corner
of the garage has been taken in. One,

two bees groggily drift out. So far
from our present mind. Alive and gleaming, perhaps
in the Middle Ages, when each western soul
was meant to be part of a higher order. That's how they live:
cover the fields in hundreds, return to the hive
as one. Touching the flowers, yes, to set off
airborne exchanges as vast as if Northern Power and Light
were winking networks of pollen

and green. From a water-stained crack in the bureau top,
wings, black hoods start a thin file
through. They come
with the growing steadiness of the unconscious
pouring out of a dream: half-suspended,
then groping,
then swarms
quite certain their buried
hidden-away
goldenness will see the day.

The rest is how it appears to me: the show
in softly widened minutes, like the sun
in a long flash unhoarding its parting light.
Scale's a question, but in all living things
an exactness buzzes,
that hurriedly, carelessly cannot be suffocated.
And sometimes it actually nudges us aside.
Like these speck-like wings
beating: Gloves! Look! Handle with care!
Remember, we're not you.


photo by Roberto Spocchi


"The Heron Songs" - A limited edition published by Occasional Works Press. E-mail me if you want to know more!

Poetry fuses our inner and outer worlds and melts them into a living flame.

 


Bees

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